<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:identifier>doi:10.7916/d8-ea40-8y39</dc:identifier><dc:title>Green Tara</dc:title><dc:creator>Unknown</dc:creator><dc:format>objects</dc:format><dc:format>sculpture (visual works)</dc:format><dc:format>metalwork (visual works)</dc:format><dc:type>three dimensional object</dc:type><dc:description>The Green Tara is the most popular of all Taras, treasured for her beauty and dynamic form. In this sculpture she is seated in half-lotus position on a lotus throne. Her left hand is in the mudra of teaching and her right hand of gift-giving. Technical analysis has shown that this Tara was cast in separate pieces using the lost-wax technique; although this is common, close examination of the lotus base and the figure shows that they are in fact a composite of two different versions of the Green Tara that were joined together. XRF analysis shows that the hands and feet have a high amount of zinc, contrasting with the rest of the figure’s copper alloy composition.</dc:description></oai_dc:dc>