<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:identifier>doi:10.7916/2etw-e426</dc:identifier><dc:title>Oral history interview with Lynda Benglis, 2015</dc:title><dc:creator>Benglis, Lynda, 1941-</dc:creator><dc:format>oral histories</dc:format><dc:type>mixed material</dc:type><dc:subject>Pop art--United States</dc:subject><dc:subject>Art, American--20th century</dc:subject><dc:subject>Sculpture, American--20th century</dc:subject><dc:subject>Louisiana Lake Charles</dc:subject><dc:subject>Benglis, Lynda, 1941-</dc:subject><dc:subject>Rauschenberg, Robert, 1925-2008</dc:subject><dc:description>Artist Lynda Benglis describes her entry into the New York art scene in the 1960s, and meeting Rauschenberg in that scene. She reflects on Rauschenberg's place in different artistic movements, specifically Pop Art. She and Rauschenberg were both exhibited in Five from Louisiana in 1977, and Lynda reflects on how place plays in both hers and Rauschenberg's work. She describes some influences that his work, specifically the Hoarfrosts, had on hers, and reflects on the impact of time in India on their respective works. She describes how she sees her own work as being in conversation with Rauschenberg's</dc:description></oai_dc:dc>