<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:identifier>doi:10.7916/d8-9r7k-px59</dc:identifier><dc:title>Oral history interview with Joseph Pasternak, 1971</dc:title><dc:creator>Pasternak, Joe, 1901-1991</dc:creator><dc:format>oral histories</dc:format><dc:type>mixed material</dc:type><dc:subject>Motion picture producers and directors</dc:subject><dc:subject>Motion pictures--Production and direction</dc:subject><dc:subject>Motion picture music</dc:subject><dc:subject>Motion pictures--Color</dc:subject><dc:subject>Motion picture authorship</dc:subject><dc:subject>Pasternak, Joe, 1901-1991</dc:subject><dc:description>Arrival in United States, 1921; Universal Studios; return to Europe, 1928; various film related jobs; second migration to United States, 1936; discovery and success of Deanna Durbin; introduction of classical music to mass audience; move to Metro-Goldwyn-Mayer; work with Marlene Dietrich, Judy Garland, Louis B. Mayer, others; relative simplicity as a hallmark; high production values on low budgets; consummate importance of screenwriters, producers; early color technology; destructive aspects of television; nostalgia for studio era; various stunts; Busby Berkley</dc:description></oai_dc:dc>