<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:identifier>doi:10.7916/d8-1be7-7505</dc:identifier><dc:title>Oral history interview with Norman and Ruth Lloyd 1979</dc:title><dc:creator>Lloyd, Norman, 1909-1980</dc:creator><dc:format>oral histories</dc:format><dc:format>sound recordings</dc:format><dc:type>sound recording - nonmusical</dc:type><dc:subject>Composers</dc:subject><dc:subject>Dance music</dc:subject><dc:subject>Modern dance</dc:subject><dc:subject>Lloyd, Norman, 1909-1980</dc:subject><dc:subject>Lloyd, Ruth</dc:subject><dc:subject>Bennington College</dc:subject><dc:description>Accompanists for dance companies and Louis Horst, 1929-1941: use of music by Martha Graham, Humphrey/Weidman, methods of composing for the dance, competition of companies at Bennington Summer School; impacts of fascism, communism and American Indian culture on dance theater; working conditions at Bennington; touring with Humphrey/Weidman company; impressions of Louis Horst, Martha Graham, Hanya Holm, Martha Hill, Charles Weidman and others.</dc:description></oai_dc:dc>