<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:identifier>doi:10.7916/d8-c0s0-ag27</dc:identifier><dc:title>Oral history interview with Arthur Hornblow, Jr., 1959</dc:title><dc:creator>Hornblow, Arthur, Jr., 1893-1976</dc:creator><dc:format>oral histories</dc:format><dc:type>mixed material</dc:type><dc:subject>Motion picture producers and directors</dc:subject><dc:subject>Theater--Production and direction</dc:subject><dc:subject>Motion pictures--Production and direction</dc:subject><dc:subject>Motion picture authorship</dc:subject><dc:subject>Hornblow, Arthur, Jr., 1893-1976</dc:subject><dc:subject>Metro-Goldwyn-Mayer</dc:subject><dc:description>Experiences in New York theater circle, 1920s: THEATRE MAGAZINE, production of "The Captive," 1927; work for Sam Goldwyn, 1927-36; Paramount Pictures, 1936-45, films including "Ruggles of Red Gap," and "High, Wide and Handsome"; Metro-Goldwyn-Mayer, 1945-55:  "Gaslight," "The Asphalt Jungle," and others; independent producer 1955-59:  "Oklahoma," "Witness for the Prosecution"; problems of writers in Hollywood; differences between producers and directors; role of Jews in motion picture business; social stratification in Hollywood; impressions of W.C. Fields, Marilyn Monroe, Bob Hope and others. Audio is comprised of narrator's excerpts from the Westinghouse Broadcasting Company's radio program series "Memoirs of the Movies"</dc:description></oai_dc:dc>