<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:identifier>doi:10.7916/y2ck-6437</dc:identifier><dc:title>Oral history interview with Eric Holt, 2015</dc:title><dc:creator>Holt, Eric</dc:creator><dc:format>oral histories</dc:format><dc:type>mixed material</dc:type><dc:subject>Artisans--United States</dc:subject><dc:subject>Metal-work--Exhibitions</dc:subject><dc:subject>Art metal-work</dc:subject><dc:subject>Captiva Island (Fla.)</dc:subject><dc:subject>Holt, Eric</dc:subject><dc:subject>Rauschenberg, Robert, 1925-2008</dc:subject><dc:subject>Graphicstudio</dc:subject><dc:description>In this interview, Holt describes the day-to-day working process at Captiva. He talks about his first tasks involving the completion of projects like the Cloister series begun under his predecessor, Tim Pharr. He talks about his involvement in the development of Rauschenberg's Spread and Kabal American Zephyr series, as well as the 1/4 Mile or Two Furlong Piece. He gives his recollections about Rauschenberg's intentions at the time these pieces were constructed, as well as further discussing the technical details of their construction</dc:description></oai_dc:dc>