<oai_dc:dc xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd"><dc:identifier>doi:10.7916/bw7q-f886</dc:identifier><dc:title>Oral history interview with Tim Pharr, 2015</dc:title><dc:creator>Pharr, Tim</dc:creator><dc:format>oral histories</dc:format><dc:type>mixed material</dc:type><dc:subject>Artistic collaboration</dc:subject><dc:subject>Carpenters in art</dc:subject><dc:subject>Picture frames and framing</dc:subject><dc:subject>Site-specific installations (Art)</dc:subject><dc:subject>Captiva Island (Fla.)</dc:subject><dc:subject>Pharr, Tim</dc:subject><dc:subject>Rauschenberg, Robert, 1925-2008</dc:subject><dc:description>Tim Pharr, a carpenter who worked for Robert Rauschenberg building frames, describes the long working relationship he had with the artist. He talks about the difficulties of engineering specialized frames as Rauschenberg worked in ever-changing media. He also recalls both the professional and the personal dynamic of the compound at Captiva. He reflects on the influence Rauschenberg and artists like Cy Twombly had on him, and offers some reflections on Rauschenberg's personal and professional anxieties</dc:description></oai_dc:dc>