SIDE A: Childhood; Initial experiences with acting, high school theatre; Family, parents' support for career, brothers, School, study ethics, theatre work in high school, peers, involvement in speech and forensics, National Forensics League, influence on career; San Francisco State University, work at Golden Gate Theater; Move to New York; First Broadway work in La Cage aux Folles; Move to L.A.; Fi rst interest in TV and film; Acting classes, Donald Hotten, acting technique, thoughts on philosophy of acting; Racial barrier, treatment of Asian-American actors in industry; Play: M Butterfly, Goals for acting career; Involvement in acting organizations, Committee on Racial Equality, Equity Council; Miss Saigon controversy, Asian Pacific Alliance for Creative Equality; Non-traditional casting, influence of media on race. SIDE B: Thoughts on personal career, casting; Role in M. Butterfly, influence of role on career; Film roles after M. Butterfly, The Freshman, Father of the Bridge; Theatre roles, Bondage. Retrospective on career and roles; Crossover between theatre and film; Audition process, casting directors; Aspirations for future, new production company; Choice of roles, conflict of personal and financial considerations for roles, creative challenges; Financial considerations, awards or grants; Interaction with public; Work in Peter Pan; Thoughts on critical review of work, critics; Thoughts on success; Thoughts on most satisfying work in career; Advice to young actors.