Oral history interview with Val Coleman, 1999
Members of the Columbia University community may log in here to access this content.
Terms of Use: The copyright law of the United States (title 17, United States Code) governs the making of reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a reproduction. One of these specific conditions is that the reproduction is not to be used for any purpose other than your own private study, scholarship, or research. Any subsequent copying, downloading or distributing materials accessed by you in the Columbia University Libraries Digital Libraries Collection that are subject to copyright protection may constitute copyright infringement. In addition, Columbia University Libraries may employ technical measures to prevent any further copying, downloading, or distribution of the materials. A violation of these terms may subject you to potential liability for copyright infringement. For more information about copyright, fair use and permissions, refer to Columbia University Library’s Copyright Advisory Services at https://copyright.columbia.edu, and the Copyright & Permissions for Online Exhibitions & Digital Collections.
- Name
- Coleman, Val (Interviewee)
- Michaels, Sheila, 1939-2017 (Interviewer)
- Title
- Oral history interview with Val Coleman, 1999
- Other Titles
- Reminiscences of Val Coleman, 1999; Oral history of Val Coleman, 1999
- Abstract
- Coleman begins by explaining his sister's involvement with the Congress of Racial Equality (CORE) and the origins of his own involvement. He discusses his membership with the Fellowship of Reconciliation (FOR) and the relationships he formed with Jim (James L.) Farmer and Abraham Johannes (A.J.) Muste. Coleman shares details of Farmer's autobiography, "Lay Bare the Heart," and describes personal in teractions with and admiration for Farmer. Coleman discusses his work as a press agent at United Artists, his growing devotion to CORE, and his resignation from United Artists to become Marvin Rich's assistant. He chronicles his professional and activist experiences, including: his promotion to Assistant Community Relations Director of CORE; his participation in organizing the Woolworth boycotts; his negotiations with Warner Bros. Entertainment against segregation; and his collaboration with SEIU 1199. Coleman addresses broader themes and trends within the movement, such as: the influence of Gandhism, the differences in experience between African immigrants and Black Americans, the experiences of women in the movement, the transition from integration to Black Power, and the subsequent exodus of whites from the movement. Coleman describes the FOR's Journey of Reconciliation of 1947 and the Freedom Rides of 1961. He recalls a 1960 meeting with Dr. Martin Luther King Jr. to discuss a possible merger between CORE and the Southern Christian Leadership Conference (SCLC). Coleman also discusses: the shift in CORE's leadership, including his impressions of Roy Innis; the movement's end; how the American public reacts to social movements; the limited focus of the civil rights movement; and American racial inequality at the time of the interview
- Collection Name
- Sheila Michaels civil rights organization oral history collection
- Subjects
- Civil rights movements--History--20th century.--United States; Civil rights demonstrations--United States; United States Race relations 20th century; Coleman, Val; Farmer, James, 1920-1999; Congress of Racial Equality
- Format
- oral histories
- Genre
- Interviews
- Date
- 1999
- Physical Description
- 61 pages
- Note (Biographical)
- Val Coleman was an active member of the Congress of Racial Equality (CORE) in New York and the national CORE organization from 1960 until 1968. Coleman's sister was an early member of the organization, and Coleman got involved as he became dissatisfie d with his work as a press agent for United Artists films. Coleman quickly became the Assistant Community Relations Director of CORE and later became Press Secretary. Coleman was instrumental in the planning of many CORE demonstrations, including the Freedom Rides. Following his involvement in the movement, Coleman became the Director of Public Information at the New York City Housing Authority, a position he held for over two decades. Coleman also taught Urban Planning as an adjunct professor at Columbia University, and has written numerous books and plays, including "Beverly and Marigold," an anthology of short stories
- Note
- Interviewed by Sheila Michaels on January 6, 1999
- Note (Provenance)
- Sheila Michaels, Gift circa 1998-2005
- Language
- English
- Library Location
- Columbia Center for Oral History, Columbia University
- Catalog Record
- 11603539
- Persistent URL
- https://dx.doi.org/10.7916/d8-1twy-vn35
- Related URLs
- Available digital content for this interview.